I didn’t start out playing bass as my first instrument and the funny thing is, a lot of other bass players didn’t either…

  • Lemmy had just joined Hawkwind as a guitar player when he found out he was surplus to requirements due to Dave Brock deciding he was going to play lead instead. But when the band’s bass player didn’t show up for one of their free gigs because he wasn’t getting paid, he had also inadvertently left his bass and amp in their van. So, Lemmy, stepped in, and played bass for the first time live on stage at a gig! (That does make me laugh…)
  • Flea from the Red Hot Chilli Peppers started out playing trumpet and was pretty good at it too by all accounts.
  • The Who’s thunderous John Entwistle started out on piano, then moved onto trumpet and French horn before he picked up a bass guitar.
  • Jaco Pastorius was first and foremost a drummer and only stopped playing after a wrist injury on the soccer field made it more difficult to play – that, and a better drummer had rocked up on the scene, so he stepped aside for this guy to take his place in the band. It was only because the bass player left at the same time that he picked up the bass!
  • Carol Kaye played jazz guitar and by the knock of opportunity, moved onto bass when she filled in for a recording session when another musician didn’t show up!
  • Tina Weymouth – who provided the bass-bedrock of Talking Heads signature sound, started out playing hand bells – which has slightly freaked me out as I used to play them when I was a teenager too. Apparently, she taught herself guitar before picking up the bass when she formed the band with David Byrne and her now husband, drummer Chris Frantz.

2014TinaWeymouth-Suzy-Starlite-Walking-the-Bass-Line-Blog

So there you have it – historically, bass is rarely the first go-to instrument of choice for many musicians and there’s absolutely nothing wrong with that. Heck, the first instrument I dabbled with was the harmonica because it was affordable and I could easily play a tune on it; if I needed a singer, I just used to go outside and play loud in the garden where I was soon accompanied by our neighbours dog, fondly referred to as ‘Howling Socks’.

I started thinking why is the path to ‘bass enlightenment’ so heavily influenced by chance, opportunity and more often necessity when the ‘Land of the Low End’ is such a dynamic and inspirational sonic landscape? So perhaps a better question would be: Is the electric bass player understood?

Paul McCartney said:

“None of us wanted to be the bass player. In our minds he was the fat guy who always played at the back.”

Is it because people don’t want to be the bass player because of the perceived role, or not fully understanding what they actually do??

Cue bass jokes 😉

Anyway, being a bit of a geek when it comes to detail, I have been trying to pin things down in order to create a clear, concise job definition for myself: something that I could tell anyone and have a good chance of being understood. An elevator pitch so to speak!

Music has essentially three parts;

  • Melody – lead instrument (BASS/vocals/guitar/sax/piano/hammond/violin etc),
  • Harmony – accompaniment (BASS/guitar/piano/hammond/brass and string sections etc)
  • Rhythm – el groove (BASS/occasionally piano/drums/percussion)

The bass sets the foundation for both harmony and rhythm! Plus the occasional and dreaded bass solo…

Harmony: When you hear multiple notes at the same time (harmony) your mind uses the lowest note as a reference point, which influences or colours the way you hear the rest of the other notes being played! So, what it means is that the bass influences the feel of everything – and I mean everything!!

Rhythm: most people understand what the bass does in terms of the rhythm; like a tight drum it’s punchy and percussive, but much more than that, it contributes to the harmony, tonality and most importantly, creates movement within the song.


Where would these tracks be without the bass?

Chic ‘Good Times’

Talking Heads – ‘Take Me to the River’

Pink Floyd – Money

David Bowie’s ‘The Jean Genie’

This is a good example as both the guitar and harmonica share the same melodic lines with the bass, and then they branch off, leaving the bass (which is locked in solidly all the way through) to keep the feel and movement going – great groove!

And then there’s full on BASS!! Thanks Lemmy – Rock on!!! 


So, in conclusion…

Next time you play some music, try and listen out to what the bass guitar is doing? It takes a little bit of getting used to, especially if you are listening using small earpieces. I think you’ll be amazed at what you’ll hear and be surprised on how loud and upfront it is in the mix…

This new appreciation of the low end world has changed and enhanced the way I hear and experience music; I hope you agree!

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6 thoughts on ““Rockin’ the Path to Bass Enlightenment” – Walking the Bass Line #4

  1. What a well written piece Suzy. My father always prompted me to listen to different sections/ instruments in orchestra, and what you have suggested re people isolating the bass when listening to groups is the same idea. I have often said to people at times ” listen to the bass, or rhythm guitar etc in a track”, and some have looked at me as if I am nuts, but I still do it without thinking. Anyway just thought I would put my ten pence worth in. Cheers for now.

    1. Thanks so much for your message Kenny! It took some wrestling with but am glad it makes sense. Learning bass is fascinating – it has truly opened up the musical landscape into a space I could not have imagined before…

  2. Enjoyed reading your article! I was guitar mad as a teenager and pretty oblivious to the bass guitar, but now I can’t get enough of it. And yes if you can learn to ‘tune in’ to different musical elements of a favourite track or the musical job that the different band members have it’s really fun and inspiring.

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